"Sons and Lovers" is a semi-autobiographical novel that explores the complex relationships between a miner's wife, her husband, and their two sons. The story focuses on the intense emotional and psychological bonds between the mother and her sons, as well as the struggles they face in their romantic relationships due to their deep attachment to their mother. The novel delves into themes of class, love, sexuality, and the oedipal complex, presenting a vivid picture of working-class life in early 20th century England.

This novel explores class relations and conflicting values in turn-of-the-century England. The narrative revolves around three families: the wealthy, capitalist Wilcoxes; the cultured, idealistic Schlegels; and the lower-middle class Basts. As their lives intertwine, the story grapples with themes of wealth, love, and death, and the struggle for personal connection in an increasingly impersonal society. The titular "Howards End" is a country home, and it becomes a symbol of England's past, present, and future.

A young, spoiled and unloved girl is sent to live with her reclusive uncle in a large, lonely house after the death of her parents. Through the discovery and cultivation of a hidden, neglected garden, she befriends a local boy and her sickly cousin, and the three children find healing and transformation through their friendship and the magic of the garden.

The novel explores the lives of three generations of a farming family, the Brangwens, living in rural England in the late 19th and early 20th century. The narrative primarily focuses on the sexual and emotional maturation of Ursula Brangwen, a young woman who rejects traditional societal norms in her quest for spiritual fulfillment and personal independence. The book is known for its vivid depiction of the English countryside and its frank portrayal of sexual desire.