"Waiting for Godot" is a play that explores themes of existentialism, despair, and the human condition through the story of two characters, Vladimir and Estragon, who wait endlessly for a man named Godot, who never arrives. While they wait, they engage in a variety of discussions and encounter three other characters. The play is characterized by its minimalistic setting and lack of a traditional plot, leaving much to interpretation.

"Molloy" is a complex and enigmatic novel that follows the journey of its eponymous character, an elderly, disabled vagabond, who is tasked with finding and killing a certain person. The narrative is split into two parts: the first is told from Molloy's perspective as he navigates his way through a strange and often hostile world, while the second follows a detective named Moran who is assigned to find Molloy. The novel is renowned for its challenging narrative structure, its bleak and absurdist humor, and its profound exploration of themes such as identity, existence, and the human condition.

"The Third Policeman" is a darkly comedic and surreal novel about a nameless narrator who, after committing a murder to raise funds for his scholarly obsession with a bizarre pseudo-scientific theory, finds himself wandering in an eerie, nightmarish landscape. He encounters strange characters, including a pair of eccentric policemen who are obsessed with bicycles, and becomes embroiled in a series of increasingly absurd and ludicrous situations. The novel explores themes of existence, reality, and the nature of hell, with a twist ending that forces the reader to question everything they've read.

The novel centers around the life of an abiku, a spirit child, who resides in the bustling city of Lagos. Despite numerous attempts to return to the spiritual world, the boy is tethered to the physical realm through the love of his mother. As he navigates through the political unrest and poverty of post-colonial Nigeria, he experiences a series of surreal and mystical encounters, all while wrestling with the pull of the spirit world. The narrative is a blend of reality and the supernatural, providing a unique perspective on the struggles and complexities of human life.

"Count Julian" is a novel that explores the themes of betrayal, revenge, and cultural identity. The protagonist, an exiled Spaniard, reflects on the history of his homeland, Spain, and its past conquests and losses. He identifies with Count Julian, a historical figure who invited the Moors to invade Spain as an act of revenge against the Visigothic King Roderic. The narrative is a critique of Spanish nationalism and cultural identity, as the protagonist dreams of a new invasion to cleanse Spain of its past and present sins. The book's complex narrative structure, nonlinear timeline, and poetic language make it a challenging but rewarding read.

"La Saga/ Fuga de J. B./ The Saga/ Escape of J.B." is a complex narrative that explores the themes of reality and fiction, and their intersection. The story revolves around a mysterious character, J.B., who escapes from a novel into the real world. As he navigates this new realm, the boundaries between the fictional world he came from and the reality he now inhabits become increasingly blurred, leading to a surreal and thought-provoking exploration of the nature of existence.

"Astonishing the Gods" is a mystical exploration of the intersection of the visible and invisible worlds. The protagonist is an invisible man who embarks on a spiritual journey, seeking knowledge and truth. Along his journey, he encounters various gods and mythical beings, each imparting wisdom and insights. The narrative is a blend of poetry, philosophy, and storytelling that challenges the reader's perception of reality, encouraging them to question the nature of existence and the power of imagination.

The book is a complex play that delves into the themes of identity, history, and the cyclical nature of human folly. It is set in an African village where the community is preparing for a festival to honor the return of their dead ancestors. As the living interact with the spirits of the past, the play reveals the characters' personal and political failings, reflecting on the post-colonial experience of African nations. Through a blend of myth, ritual, and satire, the narrative challenges the characters—and by extension, the audience—to confront their own complicity in societal issues, questioning the possibility of true progress and self-understanding.