The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

The narrative revolves around the return of a wealthy woman to her impoverished hometown, where she offers the residents a disturbing proposition: a vast fortune in exchange for the life of the man who wronged her in her youth. As the townspeople's initial horror gives way to the corrupting influence of the promised wealth, moral integrity collapses, leading to a dark and cynical exploration of human nature, justice, and revenge. The story serves as a powerful commentary on the capacity for greed to erode community values and the price of justice in a world governed by materialism.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"The Physicists" is a satirical play that delves into the ethical dilemmas faced by scientists in the nuclear age. The story is set in a mental asylum where three patients believe they are Albert Einstein, Isaac Newton, and Johann Wilhelm Möbius. However, it is later revealed that two of them are spies, attempting to get a hold of Möbius's scientific discoveries, while Möbius himself pretends to be insane to prevent his dangerous knowledge from falling into the wrong hands. The play explores themes of responsibility, morality, and the potential misuse of scientific advancements.

"Seven Years" is a novel about a complex love triangle. The protagonist is a man who's married to a woman he doesn't love, while he's obsessed with another woman who he doesn't understand. The novel explores the themes of love, desire, and the passage of time, as it jumps back and forth between different periods in the protagonist's life. Over the course of seven years, the protagonist grapples with his feelings and the consequences of his actions, leading to a series of dramatic and emotional revelations.

The book is a poignant and humorous collection of interconnected stories that revolve around the staff of an English-language international newspaper based in Rome. It delves into the personal and professional lives of the reporters, editors, and executives who are struggling to keep the paper—and their own lives—afloat amidst the changing landscape of journalism. Each chapter focuses on a different character, painting a vivid portrait of the quirky and flawed individuals behind the headlines, while subtly weaving in themes of love, ambition, and the relentless march of technological change. The narrative captures the bittersweet reality of the imperfections that define us all, set against the backdrop of the declining newspaper industry.

The play centers around a complacent businessman who, despite clear warnings and evidence, naively allows two sinister guests to move into his attic, where they steadily accumulate the means to ignite a conflagration. As the story unfolds, it becomes apparent that the businessman's willful ignorance is an allegory for the rise of fascism and the way society can turn a blind eye to the dangers of totalitarian ideologies. The play is a darkly comedic and critical examination of moral cowardice, collective responsibility, and the consequences of inaction in the face of clear and present danger.