The play unfolds in a small Kansas town on Labor Day weekend, where the arrival of a charismatic young drifter stirs emotions and ignites passions among the local residents. The central story revolves around a young woman who dreams of escaping her mundane life and the drifter whose presence challenges the community's prevailing attitudes and leads to a dramatic confrontation. As the town prepares for its annual picnic, the characters' lives intertwine, revealing their desires, disappointments, and the pursuit of happiness in mid-20th-century America.

The play revolves around two mismatched roommates: the fastidious, neurotic Felix Ungar and the slovenly, easygoing Oscar Madison. After Felix's marriage falls apart, he moves in with Oscar, who is also recently divorced. Their contrasting personalities and habits lead to comedic conflict and tension within their New York City apartment, as they struggle to coexist and support each other through their respective mid-life crises. The story explores themes of friendship, the challenges of living with others, and the humorous trials of post-divorce life.

Set in a 1927 Chicago recording studio, the play delves into the complexities of race, art, and the exploitation of Black musicians in the era of the blues. The narrative centers around the fiery and determined Ma Rainey, the "Mother of the Blues," and her band members as they gather to record new songs. Tensions rise between the ambitious trumpeter Levee, who is eager to put his own modern spin on the music, and Ma, who is resolute in her authoritative, traditional style. As the day wears on, the characters' personal grievances and the racial injustices of the time come to the fore, culminating in a climactic moment of violence that exposes the deep frustrations and struggles of being African American artists in a white-dominated industry.

"Seven Plays" is a collection of dramatic works by a renowned American playwright that delves into the complexities of American family life, personal identity, and societal norms. The plays are known for their intense character studies, dark humor, and exploration of the American West's mythos. Through a range of settings, from desolate farms to urban apartments, the anthology examines themes of decay, alienation, and redemption, often through the lens of dysfunctional family dynamics. The playwright's signature use of surreal imagery, unconventional narrative structures, and sharp dialogue has cemented these works as significant contributions to contemporary theater.

"The Dutchman" is a provocative play set on a New York City subway train, where a young African-American man, Clay, encounters Lula, a flirtatious and mysterious white woman. The play unfolds as a tense, psychological confrontation that escalates into a symbolic and violent exploration of racial dynamics and identity in 1960s America. Through their interaction, the narrative delves into themes of race, sexuality, and power, ultimately leading to a shocking and tragic climax that forces the audience to confront the social and political undercurrents of the era.

"Speed-the-Plow" is a satirical play that delves into the cutthroat world of Hollywood movie production, where art and commerce collide. It follows the story of two ambitious film executives who are faced with a potentially career-defining decision when a seductive temporary secretary presents them with an alternative to their blockbuster project, suggesting a film with a more noble message. The play examines themes of greed, temptation, and the moral compromises often made in the pursuit of success, as the characters navigate the treacherous waters of the entertainment industry, each driven by their own motives and desires.

The play explores the premise that everyone in the world is connected to everyone else by a chain of no more than six acquaintances. It centers around a young con artist who infiltrates the lives of a wealthy New York couple, claiming to be the son of a famous movie star and a classmate of their children at Harvard. By spinning a web of lies and charm, he exposes the superficial nature of their social world while also revealing the deep-seated racial and class anxieties that lie beneath the polished surface of their lives. The title refers to the idea that any two individuals are connected by a chain of, at most, six other people, which becomes a metaphor for the interconnectedness of human experience and the illusion of separation in society.

"Fool for Love" is a play that delves into the complex and turbulent relationship between two former lovers who find themselves holed up in a seedy motel room on the edge of the Mojave Desert. As they confront their intertwined past and the deep-seated secrets that have driven them apart, the play explores themes of obsession, identity, and the blurred lines between reality and illusion. The presence of an old man, who observes and comments on the action, adds a layer of mystery and symbolism, while the arrival of another character introduces an external perspective to the couple's intense emotional struggle. The play's raw dialogue and dramatic tension reflect the characters' desperate struggle for connection and their inability to escape the destructive patterns that bind them.

The play follows the life of Heidi Holland from high school in the 1960s to her career as an art historian more than twenty years later. Through personal and professional struggles and triumphs, Heidi navigates the complexities of women's roles in society, friendships, and romantic relationships while trying to find her own sense of self. Set against the backdrop of significant historical events and cultural shifts in America, the narrative explores themes of feminism, the changing status of women, and the quest for fulfillment, ultimately questioning whether true success and happiness are attainable for a modern woman.

"Intimate Apparel" is a poignant play set in New York City in 1905, which tells the story of Esther, an African American seamstress who creates exquisite lingerie for both wealthy uptown wives and downtown prostitutes. As she navigates the complexities of love, empowerment, and the constraints of the social order of her time, Esther dreams of opening her own beauty parlor where black women will be treated as royally as the white women she sews for. Through her interactions with a diverse cast of characters—including a Jewish fabric merchant, her landlady, and a Caribbean man—Esther's tale unfolds, revealing the deeply personal longing for connection and the impact of race and religion on the lives of the characters.

The play unfolds in a bed-and-breakfast in Gettysburg, Pennsylvania, where a young couple, Jenny and Elias, arrive to stay over the Thanksgiving weekend. Their relationship is tested by the eerie atmosphere of the B&B, the odd behavior of its peculiar proprietor, Mertis, and the presence of her enigmatic friend, Genevieve. As the weekend progresses, the couple's personal tensions and unresolved issues surface, with the intimate setting and the watchful eyes of the surrounding inanimate objects serving as a backdrop to the unraveling of secrets and the exploration of identity, perception, and the supernatural.

"Doubt: A Parable" is a gripping play set in a 1960s Bronx Catholic school, where the principal, Sister Aloysius, suspects the charismatic Father Flynn of improper relations with a student. As she seeks the truth, her convictions are challenged by the uncertainties and moral complexities of the situation. The play explores the nature of belief, the struggle for certainty in a world of ambiguity, and the consequences of acting on convictions in the absence of proof. Through its intense dialogue and powerful character dynamics, the narrative examines the fine line between righteousness and self-deception, leaving audiences to grapple with their interpretations of guilt and innocence.

The play delves into the lives of an African American family in 1930s Pittsburgh, exploring themes of heritage, family conflict, and the struggle for self-identity. Central to the story is a dispute between siblings over an heirloom piano, intricately carved with the faces of their ancestors. The brother aims to sell the piano to purchase land their family once worked as slaves, while his sister insists on keeping it as a symbol of their family's history and sacrifices. Their clash over the piano's future becomes a metaphor for the broader African American experience, examining the tension between the past's painful legacy and the pursuit of a hopeful future.

The book is a raw and unflinching portrayal of life inside a New York City prison, where the racial and social hierarchies of the inmates are stark and brutal. The narrative centers around the arrival of a new prisoner, who is accused of a heinous crime that makes him the target of the other inmates' scorn and violence. Known as "Short Eyes" to the prison population—a slang term for a child molester—the man's presence exposes the complex web of morality, survival, and power struggles that define the prison ecosystem. As tensions rise, the characters are forced to confront their own demons and the harsh realities of the penal system.

"August" is a darkly comic play that delves into the dysfunctional dynamics of the Weston family, brought together by the disappearance of their patriarch in the scorching heat of an Oklahoma summer. The reunion at the family home leads to a turbulent confrontation of long-held secrets, personal demons, and bitter sibling rivalries. As the family's matriarch, who is afflicted with cancer and addicted to pills, faces the reality of her crumbling world, the characters are forced to confront their past choices and the uncertain future that lies ahead. The narrative weaves a tale of a family struggling to find solace and meaning amidst chaos and decline.

"Fefu and Her Friends" is a play that unfolds in the 1930s, centering around eight women who gather at the home of their eccentric friend for a reunion. Throughout the narrative, the characters engage in a series of intimate and revealing conversations that touch on various aspects of their lives, including their personal relationships, societal expectations, and the struggles they face as women. The play is notable for its experimental structure, with the second act taking place in different rooms of the house simultaneously, inviting the audience to move around and experience the scenes in a non-linear fashion. This innovative approach allows for an immersive and personal encounter with the characters' lives, highlighting themes of feminism, friendship, and the complexities of female identity.

"Translations" is a play set in a small Irish village in 1833, exploring themes of language, identity, and cultural conflict. The narrative unfolds in a hedge school where residents, who primarily speak Irish, face the arrival of English soldiers tasked with anglicizing place names as part of a broader effort to map and control the area. The play delves into personal and political tensions that arise from this cultural imposition, highlighting the transformative and often tragic effects of colonial endeavors on local communities and personal relationships. Through its rich, multilingual dialogue, the play examines the profound impacts of language on identity and community cohesion.

"The Weir" is a play set in a rural Irish pub, where the local men are joined by a woman from Dublin. Over the course of an evening, they share stories filled with personal reminiscences and Irish folklore, each tale more revealing and unsettling than the last. The intimate setting and the characters' narratives weave together themes of loneliness, loss, and the search for connection, as the supernatural elements of their stories reflect the haunting undercurrents of their own lives. The play's rich dialogue and atmospheric tension create a poignant exploration of the human condition and the power of storytelling to bring people together.

The play is a gripping exploration of isolation, loneliness, and social disparity in modern America, told through an intense encounter between two strangers in Central Park. Jerry, a disheveled and desperate man, intrudes on the peaceful solitude of Peter, a well-to-do publisher of textbooks, and forces him into a conversation. As Jerry probes into Peter's life and shares his own disturbing narrative, the conversation spirals into a confrontation that ends in sudden violence, challenging the audience to reflect on the nature of human interaction and the invisible walls that separate people in society.

"The Boys in the Band" revolves around a group of gay men who gather for a birthday party in New York City in the late 1960s. The evening takes an unexpected turn when the host's college roommate, a presumably straight man, shows up unexpectedly. As the night progresses, fueled by alcohol and a game that forces them to call the person they truly love, hidden truths emerge, and the men are confronted with the challenges of friendship, self-acceptance, and the societal pressures of being gay in a pre-Stonewall era. The play is a landmark piece that captures the complexity and tension of gay life at a time when homosexuality was still largely taboo.

The book dramatizes a landmark legal battle over the teaching of evolution in schools, reflecting the tension between science and religious fundamentalism. Set in a small Southern town, it follows the intense courtroom showdown between two legal titans: one defending a young teacher accused of the crime of teaching Darwin's theories, the other representing the prosecution, backed by conservative religious forces. Through its portrayal of the trial and the surrounding media frenzy, the narrative explores themes of intellectual freedom, the right to think, and the profound conflict between progress and tradition in American society.

The play centers around a young, handsome drifter named Chance Wayne, who returns to his hometown with a faded movie star, hoping to capitalize on her fame to achieve his own success and reclaim his former love, Heavenly Finley. However, Chance's dreams of redemption and stardom are threatened by his tarnished reputation and the machinations of Heavenly's father, a corrupt political figure who seeks to drive him out of town to protect his family's name. As Chance confronts the consequences of his past actions, the narrative explores themes of lost youth, the corrupting influence of power, and the elusive nature of fame and personal fulfillment.

"Balm in Gilead" is a play set in a rundown diner in New York City's Upper Broadway neighborhood, where the lives of prostitutes, junkies, and petty criminals intersect. Over the course of three days, the characters' stories unfold, revealing their struggles, desires, and quests for redemption amidst the harsh realities of urban life. The play is known for its raw, unfiltered dialogue and its ensemble cast, creating a vivid tapestry that captures the essence of a marginalized community living on the fringes of society. Through their interactions, the characters search for a 'balm in Gilead'—a healing and comfort in a world that seems bereft of hope.

The play is a darkly comic tale of the Magrath sisters, who reunite at their grandfather's home in Mississippi after one of them, Babe, has shot her abusive husband. The sisters are forced to confront the consequences of their own "crimes of the heart," which include loneliness, infidelity, and failure. Through sharp dialogue and poignant moments, the narrative explores themes of family dysfunction, societal expectations, and the search for personal happiness amidst the chaos of their lives. As they navigate through past resentments and present crises, the sisters ultimately find solace and strength in their sisterhood.

The play is a romantic tale set in an old, dilapidated Victorian boathouse in Missouri during World War II. It unfolds over the course of one evening, as two unlikely lovers, Matt Friedman, a Jewish immigrant accountant from St. Louis, and Sally Talley, a nurse from a conservative Protestant family, engage in a poignant dialogue that reveals their pasts, their fears, and their hopes. Through their conversation, they confront social prejudices, family disapproval, and their own insecurities, ultimately finding a connection that transcends the folly of the boathouse and the era's societal constraints. The play is a lyrical exploration of love, acceptance, and the courage it takes to pursue happiness against all odds.