This novel is a semi-autobiographical account of a young man's intellectual and artistic development in late 19th-century Ireland. The protagonist struggles with issues of identity, faith, and nationality, ultimately rejecting the traditional values of his Catholic upbringing to pursue his own path as an artist. The book is renowned for its innovative narrative style and its exploration of themes such as individuality, freedom, and the nature of art.

This complex and challenging novel is renowned for its experimental style and intricate, dreamlike narrative. It explores the story of a publican in Dublin, his wife, and their three children, but the plot is not linear and often veers into surreal and abstract territory. The book is dense with linguistic games, puns, and allusions to a myriad of cultural, historical, and mythological sources. The narrative is circular, ending in the middle of a sentence that is completed at the start of the book, embodying the cyclical nature of life and history.

This satirical work is a critique of the practices of the Church and the wider social behavior of the time. Narrated by Folly, the female personification of foolishness, the book humorously criticizes various aspects of society such as superstitious religious practices, scholarly pedantry, and the excesses of the upper classes. The book is a bold critique of its time, using humor and irony to expose the follies of its society.

"The Waning of the Middle Ages" is a historical analysis of the cultural life of the late Middle Ages, particularly in France and the Low Countries, during the 14th and 15th centuries. It delves into the period's modes of thought, forms of expression, religious beliefs, and social norms. The book argues that the era was characterized by a highly stylized and overwrought civilization, marked by an excessive emphasis on chivalry and courtly love, a religious mindset dominated by the fear of death and the afterlife, and a cultural milieu that was both highly imaginative and deeply pessimistic.

"Ethics" is a philosophical work that explores complex ideas about God, the universe, human emotions, and the path to enlightenment. The book outlines a metaphysical, epistemological, and ethical system in which God and the universe are one and the same, rejecting traditional notions of a personal deity and asserting that understanding the natural world leads to peace of mind and happiness. The work delves into the nature of the human mind and its emotions, advocating for the pursuit of reason and knowledge to achieve a calm, enlightened state.

This book is a collection of autobiographical essays by a renowned Irish poet and playwright, reflecting on his personal and professional life. It provides a deep insight into his early life, family, influences, and the evolution of his poetic and dramatic works. The author also gives a vivid account of the Irish literary scene and the cultural and political climate of his time, including his involvement in the Irish National Theatre and the Irish Literary Society.

This philosophical work challenges the idea of materialism, arguing that objects only exist as a perception of the mind. The author asserts that we can only directly know sensations and ideas of objects, not the objects themselves. He also discusses the role of God, suggesting that our perceptions are dependent on the will of a higher power. The text is a significant contribution to the field of metaphysics and epistemology, offering a unique perspective on the nature of human knowledge and perception.