This novel is a semi-autobiographical account of a young man's intellectual and artistic development in late 19th-century Ireland. The protagonist struggles with issues of identity, faith, and nationality, ultimately rejecting the traditional values of his Catholic upbringing to pursue his own path as an artist. The book is renowned for its innovative narrative style and its exploration of themes such as individuality, freedom, and the nature of art.

This complex and challenging novel is renowned for its experimental style and intricate, dreamlike narrative. It explores the story of a publican in Dublin, his wife, and their three children, but the plot is not linear and often veers into surreal and abstract territory. The book is dense with linguistic games, puns, and allusions to a myriad of cultural, historical, and mythological sources. The narrative is circular, ending in the middle of a sentence that is completed at the start of the book, embodying the cyclical nature of life and history.

This book is a collection of autobiographical essays by a renowned Irish poet and playwright, reflecting on his personal and professional life. It provides a deep insight into his early life, family, influences, and the evolution of his poetic and dramatic works. The author also gives a vivid account of the Irish literary scene and the cultural and political climate of his time, including his involvement in the Irish National Theatre and the Irish Literary Society.

This philosophical work challenges the idea of materialism, arguing that objects only exist as a perception of the mind. The author asserts that we can only directly know sensations and ideas of objects, not the objects themselves. He also discusses the role of God, suggesting that our perceptions are dependent on the will of a higher power. The text is a significant contribution to the field of metaphysics and epistemology, offering a unique perspective on the nature of human knowledge and perception.