A linked set of short stories probes the emotional aftershocks of a devastating earthquake through the lives of disparate characters whose routines are ruptured by grief, guilt and sudden dislocation. Blending spare, melancholic realism with surreal intrusions—a talking giant frog, strange apparitions and uncanny coincidences—the tales explore loneliness, the longing for connection, and the fragile ways people try to rebuild meaning after catastrophe, turning small domestic moments into potent metaphors for trauma and quiet possibility.

A collection of strange, dreamlike short stories in which ordinary people encounter uncanny events or objects that reveal hidden fears, destiny and the absurdities of modern life. The tales blend irony and melancholy, shifting between fantasy and realist detail to probe themes of loneliness, fate, death and the bureaucratic or supernatural forces that shape human lives. The prose is spare and evocative, creating a persistent mood of quiet dread and dark wonder.

In a bleak, ash-choked postapocalyptic landscape, a nameless father and his young son travel south along a ruined highway, scavenging for food and warmth while avoiding marauders and the desperate, cannibalistic remnants of humanity; the father struggles to protect his child and teach him compassion and moral restraint even as their hope dwindles, and their bond—love, fear, and relentless determination—becomes the story’s central pulse amid pervasive loss and the question of what it means to remain human.

Kevin and Maureen Hurley are middle aged twins who live in remote Irish farming country with their bedridden father. Maureen believes she is carrying a child, and the siblings set out to find a plausible sire for that child. Their search takes place on the remote farm where they live. The book traces their efforts to identify a father while they remain with their bedridden father in the rural setting.