A blistering polemic that denounces Christianity as a decadent, life-denying system that inverts aristocratic, life-affirming values into a reactive ‘slave morality’; it argues that Christian pity, humility, and ascetic ideals arise from weakness and resentment, calls for a radical revaluation of values grounded in strength, health, and the affirmation of life, and attacks modern humanitarianism and moral softness as causes of cultural decline while urging a renewal that celebrates vitality, excellence, and the creative instincts of strong individuals.

A fictionalized, elegiac memoir written as the private reflections of an aging Roman emperor, it reconstructs his reign through lucid meditations on power, art, philosophy and the burdens of rule. He recalls military campaigns and administrative reforms, celebrates Greco-Roman culture and the building of cities and monuments, and mourns the loss of a beloved companion, whose death exposes the fragility of happiness and the persistence of memory. The narrative voice blends classical erudition with intimate confession, probing mortality, legacy, ethical dilemmas of empire and the inner needs that shaped public decisions.

These two novellas are by Lou Andreas-Salomé, a writer remembered as much for her influence on prominent thinkers as for her own work. She was one of the first women to study at a European university and pursued unconventional relationships that aligned her with the women's movement. Fenitschka is based on an episode that inspired the opera Lulu by Alan Berg. Deviations refers to an opera about her by Guiseppe Sinopoli and focuses on her spirit rather than a chronological life.