A dense, witty novel about a trio of publishing editors who, as an intellectual game, stitch together scattered myths, historical tidbits, and occult lore into an elaborate conspiracy they dub “the Plan,” only to watch their invented pattern take on a life of its own; the book blends satire, detective elements, and philosophical reflections on interpretation, paranoia, and the human need to find order and meaning in chaos.

A celebratory pair of portraits that contrast two complementary medieval temperaments: one an austere, systematic thinker who embodies ordered reason, theological rigor, and fidelity to truth; the other a joyous, poetic rebel who embraces poverty, wonder, and intimate kinship with creation. Through lively biography, wit, and cultural critique, the writer shows how the Thomistic insistence on intellect and law and the Franciscan insistence on love and imagination balance and correct each other, together offering an antidote to modern materialism, skepticism, and spiritual complacency.

A clear-eyed analysis of how fossil-fuel interests and allied actors have shifted from outright denial to a subtler campaign of delay and diversion—promoting individual blame, sowing doubt, greenwashing, doomism, and narrow techno-fix narratives—to block meaningful policy; the book exposes these tactics, explains why focusing solely on personal choices is insufficient, and calls for defending climate science, countering misinformation, and pursuing systemic political and economic solutions (strong regulation, public investment in clean energy, and mass civic engagement) to achieve real emissions reductions.

Using archival evidence and historical analysis, the book argues that much of what became known as Western Marxism was shaped and constrained by covert and overt sponsorship from state and corporate foundations during the Cold War; this funding helped form institutions, journals, and careers that redirected Marxist thought away from revolutionary politics toward cultural, managerial, and academic forms of critique, producing a depoliticized, domesticated Marxism that served to contain and neutralize radical movements. The work calls for a critical reexamination of intellectual history and for reclaiming Marxist theory as a tool for emancipatory political practice rather than institutional accommodation.

After escaping his unjust imprisonment and discovering a vast hidden fortune, Edmond Dantès adopts a wealthy, enigmatic persona and sets in motion intricate plans to expose and avenge the friends and acquaintances who conspired against him. Using disguises, financial manipulation, and carefully timed revelations, he dismantles the lives of his chief betrayers while rewarding the loyal and innocent; as his vengeance unfolds he confronts the moral cost of his actions, experiences unexpected loyalties and love, and ultimately faces a bittersweet reckoning that pushes him toward forgiveness and renewal.

A compact collection of medieval mystical sermons and treatises that probe the soul’s direct union with the divine, insisting on radical inner detachment and the ‘birth’ of God in the soul through contemplative surrender. Written in paradoxical, aphoristic language, it emphasizes the via negativa and the ground of the soul, challenges reliance on external forms of religiosity, and offers practical guidance for a transformative inner life centered on letting go so the divine can act through the person.

Louise Vemet was raised in the slums of Paris and came of age amid the splendor and corruption of the Second Empire. She rose to prominence in fashion, clothing fabled women of title and pleasure in a society where even sin needed style. She had a lover she could not wed and gave their child a name by entering a passionless marriage. Her life spans Paris under Louis Napoleon and Victorian England, moving from despair to joy.

As a witness of the time frames one life as an adventure. The adventure of my life presents a personal record of witnessing events and living through an era. It combines witness and memoir to trace experiences, impressions, and reflections shaped by historical circumstances. The account emphasizes observation and personal response rather than definitive judgments.