"A Streetcar Named Desire" is a classic American play that explores themes of desire, desperation, and decay through the story of Blanche DuBois, a former schoolteacher from a once-wealthy Southern family who moves in with her sister Stella and her brutish husband Stanley in their cramped apartment in New Orleans. As Blanche grapples with her own past traumas and the harsh realities of her present situation, her mental state deteriorates, leading to a tragic end. The play presents a stark contrast between the genteel Old South and the gritty, working-class reality of post-WWII America.

"The Cherry Orchard" is a classic play about an aristocratic Russian woman and her family as they return to their family estate, which includes a large and well-known cherry orchard. The family is on the brink of financial ruin and the estate is slated to be auctioned off. Despite various attempts to save their beloved home and orchard, they are ultimately unable to prevent the sale. The play is a poignant reflection on the changing social order and the decline of the aristocracy in Russia at the turn of the 20th century.

"Long Day's Journey Into Night" is a semi-autobiographical play that explores the complex dynamics of a family tormented by addiction and regret. The narrative follows the Tyrone family, composed of two parents and their two adult sons, over the course of a single day. As the day progresses, the family members engage in soul-baring conversations that reveal their individual struggles with alcohol and drug addiction, their deep-seated resentments, and the love that binds them together despite their flaws. The play is a poignant examination of the human condition, familial bonds, and the destructive power of addiction.

This classic play explores the life of a failing salesman who, in his quest for the American Dream, struggles with his relationships and his own sense of reality. The protagonist's life spirals into despair as he grapples with his unfulfilled ambitions, strained family dynamics, and ultimately, his own mortality. The narrative delves deep into the themes of identity, illusion, and the destructive nature of the American Dream.

"Three Sisters" is a play that revolves around the lives of three sisters, Olga, Masha, and Irina, who live in a provincial Russian town and yearn for their former life in Moscow. The story explores their relationships, dreams, and disappointments, as well as their interactions with the military officers stationed nearby. The narrative is a poignant exploration of love, loss, and the relentless passage of time, highlighting the human struggle for meaning and happiness.

The play explores the dreams and struggles of a Black family living on Chicago's South Side in the 1950s. When the family receives a $10,000 insurance check after the father's death, each member has different ideas about how to use the money. The mother wishes to buy a house to fulfill her late husband's dream of providing a better home for the family, while her son wants to invest in a liquor store to secure their financial future. The daughter seeks to use part of the money for her medical school tuition. Their conflicting aspirations and the pervasive racism of the era put a strain on the family's unity and values, as they strive to find their place in a world that often seems to work against them.

A memory play set in St. Louis during the Great Depression, it follows the story of the Wingfield family. The protagonist, Tom, struggles with his role as the breadwinner for his overbearing mother, Amanda, and his physically and emotionally fragile sister, Laura, who spends her time with her collection of glass animals. The family's life takes a turn when Tom invites a gentleman caller home for dinner to meet Laura, causing tensions to rise and secrets to unfold.

Set during the Salem Witch Trials in the late 17th century, this play explores the hysteria, deceit, and religious extremism that plague a small Puritan village in Massachusetts. The protagonist, a flawed but essentially good man, is caught in a web of accusations when young girls in the town start displaying strange behavior and accusing others of witchcraft. The ensuing trials reveal not only the dangers of mass hysteria and false accusations, but also the destructive power of societal pressures and the human capacity for both cruelty and heroism.

"Mourning Becomes Electra" is a trilogy of plays that retells the Oresteia story of the House of Atreus in a modern American setting. The narrative explores the themes of revenge, obsession, and guilt within the Mannon family, who are haunted by a dark, cursed past. The plot follows the aftermath of the American Civil War, with the characters struggling to escape their tragic fate, ultimately leading to their downfall.

This play is a poignant depiction of life in a small American town called Grover's Corners, New Hampshire, at the turn of the 20th century. Through the everyday lives of its citizens, the narrative explores universal themes of love, marriage, mortality, and the passage of time. The story is narrated by a stage manager who directly addresses the audience and interacts with the characters, guiding viewers through the experiences of two families, the Gibbs and the Webbs. The play's minimalist staging and meta-theatrical elements emphasize the ephemeral nature of human existence, encouraging the audience to appreciate the beauty of life's ordinary moments.

"The Iceman Cometh" is a play set in a New York City bar in 1912, featuring a group of down-and-out alcoholics who spend their days in a state of drunken stupor, telling tall tales and dreaming of better futures. The arrival of a former patron, now sober, disrupts their routine as he insists on forcing them to face the harsh realities of their lives and abandon their delusions. The play is a poignant exploration of despair, disillusionment, and the human capacity for self-deception.

"The Bald Soprano" is a play that explores the absurdity of everyday life through a nonsensical narrative. It revolves around two middle-class English couples, the Smiths and the Martins, who engage in meaningless and repetitive conversations. The play is known for its unconventional structure, lack of plot, and the characters' surreal behavior, which are all used to satirize the banality and futility of routine and social norms. The title refers to a character who is never seen or mentioned again after the opening scene.

The book is a profound existentialist play that delves into the human psyche and the concept of hell through the experiences of three deceased characters who find themselves trapped together in a mysterious, windowless room. As they engage in intense psychological games and confront the worst aspects of their earthly behaviors, they come to the harrowing realization that their torment comes not from any external punishment, but from each other and the eternal company they are forced to keep. The narrative explores themes of freedom, responsibility, and the often unbearable nature of human existence, encapsulated in the famous line, "Hell is other people."

The play explores the life of an African American family in the 1950s, focusing on the complex relationships between a father, who once aspired to be a professional baseball player but was thwarted by racial discrimination, and his family. The father's bitterness and frustrations over his unfulfilled dreams and the racial barriers of his time manifest in his relationships with his sons, who have their own hopes and ambitions. The narrative delves into themes of generational conflict, racial inequality, and the struggle for personal fulfillment, all symbolized by the fence the father builds around his yard, which serves as a metaphor for both division and protection.

The play is a profound and complex exploration of the AIDS crisis in the 1980s, intertwining the lives of several characters grappling with their sexuality, religion, and politics. Set against the backdrop of a conservative Reagan-era America, it delves into themes of abandonment, race, and the supernatural, as characters confront personal and societal challenges. The narrative weaves together the stories of a gay man diagnosed with AIDS, his closeted and conflicted lover, a Mormon couple facing their own crises, and a notorious real-life lawyer, Roy Cohn, also battling AIDS. Ethereal beings, including a heralding angel, intersect with the characters' lives, adding a fantastical dimension to the play's commentary on human suffering, redemption, and the quest for justice and love.

"The Satin Slipper" is a complex and symbolic narrative that explores the themes of love, faith, and destiny. Set in the 16th century, the story revolves around two characters, a Spanish conquistador and a married lady of the Spanish court, who are deeply in love but are kept apart by their respective duties and responsibilities. Their love story is intertwined with historical events and mythical elements, creating a rich tapestry of human emotions and spiritual contemplations.

"Marivaux: Three Plays" is a collection of three significant works by a renowned 18th-century French playwright. The plays explore themes of love, deception, and class in the context of French society of the time. The characters are often caught in complex situations that test their moral values and emotional resilience, providing readers with a profound understanding of human nature and societal norms. The plays are known for their sophisticated language, psychological depth, and intricate plot twists, making them a classic in French literature.

The play is a darkly comedic exploration of the volatile relationship between two estranged brothers who are brought together at their mother's suburban California home. The older brother, a struggling screenwriter, is working on a script while housesitting, only to be interrupted by his younger sibling, a drifter and thief. What follows is an intense, often surreal, confrontation that challenges their identities and aspirations, ultimately leading to a role reversal as they vie for the approval of a Hollywood producer. Their conflict escalates to a point of no return, symbolizing the clash of American myths and realities and questioning the very nature of authenticity and success.

This play is a powerful and emotionally charged piece of American agitprop theater that centers on the struggles of taxi drivers in the 1930s facing exploitative working conditions. Through a series of vignettes and monologues, it delves into the lives of individual workers, revealing their personal hardships and the impact of broader social injustices. The narrative builds towards a climactic union meeting where the characters debate whether to strike against their oppressive bosses. The play is renowned for its leftist political stance and its call to collective action, encapsulating the spirit of working-class resistance and solidarity during a time of economic turmoil.

The book is a stark depiction of the lives of the impoverished and dispossessed at the bottom of the Russian social ladder in the early 20th century. Set in a squalid shelter, it presents a group of destitute individuals from various backgrounds—thieves, prostitutes, and the down-and-out—who share their stories and philosophies as they grapple with the harsh realities of poverty and survival. The narrative delves into themes of human suffering, the struggle for dignity, and the elusive nature of truth, offering a grim commentary on the social conditions of the time and the human condition itself.

The play is a modern adaptation of the classic Greek tragedy, which follows the story of Antigone, the daughter of Oedipus, as she defies the laws of the state to bury her brother Polynices, who has been declared a traitor and whose body has been condemned to remain unburied. Antigone's actions set her at odds with Creon, the ruler of Thebes, leading to a profound exploration of the conflict between individual conscience and state law, the role of fate, and the nature of morality. As Antigone's resolve leads her to tragic consequences, the play delves into themes of loyalty, honor, and the human cost of absolute power.

This comprehensive collection encompasses the entire body of work by a renowned French dramatist, poet, and novelist. The book includes his most famous plays, lyrical poetry, and novels, all of which are characterized by romantic themes and a deep exploration of human emotions. His writings, often autobiographical, offer a vivid portrayal of the 19th century French society, its morals, and its decadence. The author's keen observations, wit, and mastery of language make his works enduring classics of French literature.

This collection of three plays offers a deep exploration of human emotions, societal norms and familial relationships. The first play, 'The Hostage', revolves around the complexities of love and sacrifice. The second play, 'Crusts', delves into the struggles of poverty and the human spirit's resilience. The final play, 'The Humiliation of the Father', portrays the dynamics of a dysfunctional family and the impact of parental behaviour on children. Each play, while distinct in their narratives, collectively provides a profound commentary on human nature and society.

The play is a powerful expressionist work that follows the life of a young woman who feels trapped and dehumanized by the societal expectations and mechanical nature of the early 20th-century urban environment. She is suffocated by her mundane job, an oppressive marriage to her boss, and the overall constraints of a patriarchal society. Her desperate longing for freedom and individuality leads her down a dark path that culminates in a shocking and tragic act, ultimately resulting in her entanglement with the justice system. The narrative is a critique of the industrial age and its impact on the human spirit, exploring themes of autonomy, alienation, and the crushing force of societal norms.

"Toys in the Attic" is a dramatic play that delves into the complexities of family dynamics and the corrosive power of greed and secrets. Set in early 20th-century New Orleans, it follows the Berniers sisters, whose lives are upended when their younger brother returns home with his new, wealthy wife. The sudden influx of wealth exposes hidden jealousies, suppressed desires, and societal pressures that threaten to unravel the fabric of the family. As the characters confront their personal demons and the consequences of their choices, the play examines themes of moral decay, the illusion of genteel Southern society, and the destructive nature of lies and deceit.