An intimate, wry actor’s diary that chronicles a year spent preparing for and performing a major Shakespearean king—tracking the physical and psychological transformation, the grueling rehearsals, wardrobe and prosthetic work, lively exchanges with directors and colleagues, the thrill and anxiety of opening nights, and the shifting press and public response—while offering candid, often humorous insights into the craft of performance, the pressures of the theatrical world, and the personal cost and reward of inhabiting a notorious, morally complex role.

A spare, urgent collection of lyric pieces written like intimate messages, meditations on illness, mortality, love and memory that blend wry humor with startling images; the poems read as tender, often playful voicemails to the living and the dead, grappling with the body, language, and the desire to leave something luminous behind.

A hybrid, multilingual poetic meditation that maps linguistic and bodily drift across seas and histories, assembling fragments—from Old Norse echoes and archival traces to contemporary reportage and spoken rhythms—into a collage about migration, memory, climate and the erosion of language and borders; through translation, repetition and sonic play it traces how words and people are carried, transformed and lost by currents of time, water and political movement.

A bracing, candid collection that brings together earlier work and new poems to map a restless, autobiographical voice across love, desire, gender, and urban life. The pieces mix fierce political critique, wry humor, and intimate confession, using conversational diction and sharp imagery to interrogate fame, family, sexuality, and the craft of writing. Ranging from tender observation to outraged manifesto, the poems continually search for selfhood and belonging, transforming ordinary moments into luminous, unsparing lyric statements.

A lyrical, elegiac meditation on a city of canals that uses precise, observant detail—light on stone, the sounds of water, gondolas, churches and cemeteries—to explore memory, time, exile and mortality; part travelogue, part essay, it layers personal recollection and literary and historical reflection into compact, poetic prose that treats the landscape as both living archive and mirror for the writer’s own inner life.

These two novellas are by Lou Andreas-Salomé, a writer remembered as much for her influence on prominent thinkers as for her own work. She was one of the first women to study at a European university and pursued unconventional relationships that aligned her with the women's movement. Fenitschka is based on an episode that inspired the opera Lulu by Alan Berg. Deviations refers to an opera about her by Guiseppe Sinopoli and focuses on her spirit rather than a chronological life.

Told in spare, lyrical verse, the novel follows identical twin sisters whose shared upbringing in a deeply dysfunctional family and hidden traumas drive them in opposite directions—one striving for control and outward success while the other spirals into risky, self-destructive behavior—until long-buried secrets and betrayals erupt, forcing both to confront questions of identity, blame, and survival.

A rhythmic, gently humorous picture book that follows a baby through a busy day at home, inviting readers to peep through a round hole on each page to discover lively household scenes—parents and grandparents preparing meals, bathing and dressing the baby, playing and answering the door, and other everyday moments—culminating in the child's bedtime; the repetitive refrain and detailed illustrations capture the warmth, small surprises and point-of-view wonder of family life.

From Nobel Prize winner Han Kang comes her first work of nonfiction published in English—a singular collection of writings including her inspiring Nobel Lecture.A LITERARY HUB AND ELECTRIC LIT MOST ANTICIPATED BOOK OF THE YEARIn this light-filled and multi-faceted book, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs, and diaries, brilliantly translated by Maya West and e. yaewon & Paige Aniyah Morris.A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis.In a poem written at eight years old, Han Kang imagined a “gold thread” of connection—an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader.Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

Alex Horne challenges his father to a yearlong competitive birdwatching contest running from January 1 to December 31, 2006. They each attempt to see as many bird species as possible under simple rules: birds must be wild, alive, and actually seen, and travel anywhere is allowed. The year follows outings from early home sightings to trips to Romania, Wales, and South Africa, as Alex seeks to understand his father and the appeal of birdwatching.

A collection of philosophical lectures and essays that articulate core transcendentalist ideas: trust in the individual’s intuition and conscience, the spiritual primacy of nature, moral self-reliance, and resistance to conformity; delivered in concise, aphoristic prose that blends literary criticism, moral exhortation, and metaphysical reflection to encourage intellectual independence and moral courage.