"Equus" is a psychological drama exploring the complex relationships between devotion, myth, and sexuality. The story revolves around a psychiatrist attempting to treat a young patient who has a pathological religious fascination with horses. Driven by a violent act committed by the boy, the psychiatrist delves into the boy's twisted worship of the titular deity, Equus, leading both doctor and patient to confront their own notions of passion, freedom, and the nature of sanity. Through intense and often disturbing dialogues and interactions, the play examines the boundaries of normative behavior and the destructive potential of obsession.

A provocative work that introduces a form of therapy centered on accessing and releasing deep, repressed childhood pain through intense emotional expression; it argues that many adult neuroses and psychosomatic illnesses stem from unmet primal needs and traumatic early experiences, describes case studies and the methods used to recreate and work through these original traumas, and promotes cathartic release—often manifesting as screaming—as a pathway to psychological healing and greater emotional honesty, while acknowledging controversy and debate over its claims and methods.

The book challenges the traditional views of psychiatry and argues that mental illness is a myth propagated by societal norms and psychiatric interventions. It posits that what are often classified as mental health disorders are instead problems in living, and that labeling such problems as illnesses allows for psychiatric professionals to exert undue influence over individuals under the guise of treatment. The author critiques the moral and scientific foundations of psychiatry, advocating for a more honest relationship between patient and therapist, and a reevaluation of the rights and autonomy of individuals experiencing mental distress.

This book explores the complex world of psychopathy, delving into how the condition is diagnosed and what it means for both individuals and society. Through a series of intriguing interviews and encounters with people labeled as psychopaths, as well as with those involved in identifying them, the author investigates the validity and impact of the psychopath diagnosis. The narrative raises critical questions about the reliability of the psychopath test, the nature of mental health diagnosis, and the ethical implications of labeling someone as a psychopath, all while maintaining a balance between humor, skepticism, and empathy.

This novel is set in a dystopian future America, where society is deeply divided along racial lines and is on the brink of collapse due to widespread violence and the proliferation of deadly weapons. The narrative follows a journalist as he uncovers a conspiracy involving the manipulation of the population through fear, orchestrated by arms manufacturers and drug companies. As he delves deeper, he encounters a range of characters, including a psychiatrist using experimental therapy to treat criminals and a family living in a gated community designed to protect its inhabitants from the chaos outside. Through its complex plot and richly drawn characters, the book offers a critical examination of the social and political issues facing modern society, including racism, corporate greed, and the media's role in shaping public perception.

The story revolves around a well-respected physician who establishes an asylum in a small Brazilian town to study and treat mental illness. As he begins to diagnose and institutionalize an increasing number of townspeople, the line between sanity and insanity blurs, leading to chaos and unrest within the community. The narrative explores themes of power, the nature of madness, and the impact of scientific ambition on society, ultimately questioning the true definition of normalcy and the ethics of psychiatric practice.

The book is a memoir that explores the author's experiences during her stay in a psychiatric hospital in the late 1960s after being diagnosed with borderline personality disorder. Through a series of vignettes, it delves into her interactions with fellow patients and staff, offering a candid and often poignant reflection on mental illness, identity, and the blurred lines between sanity and insanity. The narrative provides insight into the institutional environment and societal attitudes towards mental health during that era, while also examining themes of self-discovery and resilience.

A series of theoretical essays and interviews develops a practice of mapping social and psychic territories that rejects Oedipal psychoanalysis in favor of a schizoanalytic approach emphasizing multiplicity, machinic assemblages, and lines of flight; it proposes concrete cartographies of desire and subjectivity that reveal how capitalism, institutions, and technological systems shape individual and collective experience while also pointing to transversal practices and micro-political resistances that open new forms of ethical and political becoming.