In this novel, the protagonist, a young, ordinary man, visits his cousin at a tuberculosis sanatorium in the Swiss Alps. Intending to stay for only a few weeks, he ends up remaining there for seven years, becoming a patient himself. The book explores his experiences and relationships with other patients and staff, delving into philosophical discussions on life, time, and the nature of disease. It also provides a vivid portrayal of the European society and intellectual life on the eve of World War I.

The novel presents a poignant exploration of a man's struggle with his dual nature. The protagonist, a middle-aged man, finds himself torn between his humanistic, intellectual tendencies and his more primitive, wolf-like instincts. As he navigates his way through the surreal and sometimes hallucinatory world, he encounters various characters who challenge his views and push him towards self-discovery and transformation. The narrative delves into themes of alienation, the subconscious mind, and the search for meaning in life.

The novel is a reimagining of the Faust legend set in the context of the first half of the 20th century and the turmoil of Germany in that period. It tells the story of a composer who makes a pact with the devil, exchanging his soul for unlimited creative genius. The protagonist's life and work reflect the cultural and political journey of Germany leading up to World War II, providing a deep exploration of the individual's role in a society undergoing dramatic change. The novel is also a profound meditation on the nature of time, the art and the artist, and the destructiveness of human ambition.

The book is a profound exploration of identity and the human condition, revolving around a man who is arrested upon his return to his home country, Switzerland, after spending time in America. Although he insists he is not the man, Stiller, that everyone believes him to be, his protests are ignored. The story unfolds as he writes in his prison cell, reflecting on his past life and relationships, and grappling with the question of who he truly is. It's a thought-provoking narrative that challenges conventional notions of selfhood and personal identity.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

This book is a collection of manifestos that serve as a seminal document in the history of the Dada movement, an avant-garde art movement of the early 20th century. The texts within are a blend of satire, polemic, and absurdity, reflecting the movement's disdain for the norms of bourgeois culture and traditional aesthetics. The author, a key figure in Dadaism, uses these manifestos to challenge concepts of art, literature, and politics, advocating for chaos and spontaneity over logic and reason. The work is both a philosophical treatise and a call to arms, encouraging the reader to question the status quo and embrace the liberating power of nonconformity and irrationality.