The narrative follows a man who, after the death of his mother, falls into a routine of indifference and emotional detachment, leading him to commit an act of violence on a sun-drenched beach. His subsequent trial becomes less about the act itself and more about his inability to conform to societal norms and expectations, ultimately exploring themes of existentialism, absurdism, and the human condition.

"Waiting for Godot" is a play that explores themes of existentialism, despair, and the human condition through the story of two characters, Vladimir and Estragon, who wait endlessly for a man named Godot, who never arrives. While they wait, they engage in a variety of discussions and encounter three other characters. The play is characterized by its minimalistic setting and lack of a traditional plot, leaving much to interpretation.

The novel presents a poignant exploration of a man's struggle with his dual nature. The protagonist, a middle-aged man, finds himself torn between his humanistic, intellectual tendencies and his more primitive, wolf-like instincts. As he navigates his way through the surreal and sometimes hallucinatory world, he encounters various characters who challenge his views and push him towards self-discovery and transformation. The narrative delves into themes of alienation, the subconscious mind, and the search for meaning in life.

In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

"The Dwarf" is a dark, philosophical novel set in the Italian Renaissance, narrated by a malevolent court dwarf who serves a prince. The dwarf is a symbol for the darker side of humanity, embodying all the malice, deceit, and manipulation that one can possess. His actions and viewpoint provide a cynical commentary on human nature and the moral complexities of power, war, and love. The novel explores themes of good and evil, faith and doubt, and the destructive side of human nature.

"Life is a Dream" is a philosophical allegory regarding the human situation and the mystery of life. The play follows the story of Segismundo, Prince of Poland, who has been imprisoned in a tower by his father, King Basilio, following a dire prophecy that the prince would bring disaster to the country and death to the King. Basilio briefly frees Segismundo but returns him to the tower when the prince proves violent and unruly. The story explores themes of free will, fate, power and the thin line that separates reality from dreams.

"Rameau's Nephew" is a philosophical dialogue that explores themes of morality, societal norms, and the nature of genius. The story revolves around a conversation between a philosopher and a character who is the nephew of a famous musician. The nephew, a freeloader and a parasite, defends his lifestyle by arguing that it is not only acceptable but also necessary in a society where wealth and power determine value. The dialogue delves into the contradictions and ironies of social conventions, challenging traditional notions of virtue, vice, and human nature.

"The Resistible Rise of Arturo Ui" is a satirical play that uses the rise of a fictional 1930s Chicago mobster, Arturo Ui, to parallel the rise of Adolf Hitler in Nazi Germany. The narrative is a critique of those who allowed Hitler to come to power, emphasizing that his rise was indeed resistible. The play explores themes of power, corruption, manipulation, and the dangers of complacency, showcasing the destructive potential of unchecked ambition and the failure of society to prevent the ascent of dangerous individuals.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"The Cathedral" is a historical novel that tells the story of the ancient city of Kyiv, Ukraine and its people from the 17th century to the 20th century. The narrative focuses on the city's cathedral, which serves as a symbol of the city's spirit and resilience, and the various characters who are connected to it throughout the centuries. The novel explores themes of national identity, the struggle for independence, and the impact of war and political upheaval on individuals and communities.

"Dog Years" is a novel set in Germany during the rise and fall of the Nazi regime and the aftermath of World War II. The story is told from the perspectives of three friends: Walter Matern, a fervent Nazi supporter; Eduard Amsel, a Jewish artist who creates scarecrows; and Harry Liebenau, who narrates their stories. The novel explores the complexities of friendship and identity amidst the backdrop of war, guilt, and redemption. It also delves into the psychological impact of the Holocaust on German society and the struggle to come to terms with its horrific past.

The novel is a dystopian narrative set in a future where a new Asian empire has conquered Europe. The story follows a young Polish man who, while initially indulging in hedonistic pursuits, becomes increasingly disillusioned with the world around him. As the new empire introduces a mysterious substance known as Murti-Bing pills, which create a sense of contentment and indifference in the populace, the protagonist grapples with the loss of individuality and the erosion of human spirit in society. The narrative is a critique of totalitarian regimes and the dangers of mass conformity.

The book presents a philosophical and introspective analysis of the classic literary character Don Quixote, delving into the existential and moral dimensions of his adventures. The author reflects on the nature of reality, the importance of ideals, and the interplay between sanity and madness, arguing that Quixote's chivalric quests and his refusal to concede to the limitations of his mundane world embody a profound and heroic affirmation of human imagination and spirit. Through this exploration, the work becomes a meditation on the human condition and the enduring power of fiction to inspire and give life meaning.

The play is a parable set in the Soviet Union that explores themes of justice, class struggle, and morality through the story of Grusha, a servant girl who risks her life to protect an abandoned child of noble birth during a time of revolution. As the child grows, a dispute over his custody arises, leading to a trial presided over by a wily, unconventional judge named Azdak. The trial's resolution hinges on the titular chalk circle test, which ultimately reveals the true nature of parental love and the importance of putting the needs of the child first. The narrative is a commentary on the social and political issues of the time, advocating for a society that prioritizes the welfare of its most vulnerable members.

The play is a modern adaptation of the classic Greek tragedy, which follows the story of Antigone, the daughter of Oedipus, as she defies the laws of the state to bury her brother Polynices, who has been declared a traitor and whose body has been condemned to remain unburied. Antigone's actions set her at odds with Creon, the ruler of Thebes, leading to a profound exploration of the conflict between individual conscience and state law, the role of fate, and the nature of morality. As Antigone's resolve leads her to tragic consequences, the play delves into themes of loyalty, honor, and the human cost of absolute power.

"The Good Person of Szechwan" is a parable play that explores the difficulty of maintaining one's morals and goodness in a corrupt and exploitative world. The story revolves around a kind-hearted prostitute who struggles to be a good person under the harsh realities of life in Szechwan. When three gods visit the city in search of a good person, they find only her willing to help them. However, to survive, she must adopt a ruthless alter ego, leading to a complex exploration of morality, identity, and societal pressures.

This novel is a rich tapestry of themes and characters, interweaving the lives of four diverse individuals in post-World War II Australia. Each character, an eccentric Holocaust survivor, a reclusive heiress, a visionary Aboriginal artist, and a passionate washerwoman, is marked by intense spiritual experiences and a sense of being an outsider. Their paths converge in a narrative that explores the depths of human suffering, the potential for redemption, and the complex interplay between the sacred and the profane. Through their interconnected stories, the book delves into the moral and existential dilemmas of the human condition, offering a profound meditation on faith, meaning, and the possibility of transcendence amidst the harsh realities of everyday life.

This novel is a World War I allegory where a Christ-like figure emerges within a French regiment, sparking a mutiny. The figure, a corporal, persuades his squadron to not attack in the bloody conflict, leading to their court-martial and execution. The narrative explores themes of war, morality, and the human spirit, with the corporal's actions causing a ripple effect, impacting the lives of soldiers, officers, and even a Jesuit priest.

"La Vie Et Demie" is a thought-provoking novel set in an unnamed African country, where an oppressive regime has seized power and implemented a bizarre policy of dividing its citizens into "halves" and "wholes." The story follows the life of a young girl named Sophie, who is born as a "half" and faces discrimination and hardship due to her status. Through Sophie's experiences, the author explores themes of identity, inequality, and the dehumanizing effects of totalitarianism, offering a powerful critique of social and political systems.

"Everyman" is a morality play that explores the theme of Christian salvation and what Man must do to achieve it. The protagonist, Everyman, is a representation of all mankind, who is visited by Death and told he is about to die and face judgement. Unable to convince his friends and family to accompany him, Everyman turns to his good deeds, knowledge, and repentance. The play serves as a reminder of Christian moralities and the importance of good deeds for the afterlife.

"The Impenetrable Madam X" is a provocative play that delves into the complexities of human relationships and societal expectations. Set against a backdrop of surrealism and absurdity, the narrative follows the titular character, a woman shrouded in mystery and power, who interacts with various other characters in a series of disjointed scenes. Through sharp dialogue and symbolic interactions, the play explores themes of identity, power dynamics, and the struggle for understanding within the confines of a world that oscillates between the real and the fantastical. The work challenges audiences to question the nature of reality and the masks people wear in their daily lives.

The narrative revolves around the return of a wealthy woman to her impoverished hometown, where she offers the residents a disturbing proposition: a vast fortune in exchange for the life of the man who wronged her in her youth. As the townspeople's initial horror gives way to the corrupting influence of the promised wealth, moral integrity collapses, leading to a dark and cynical exploration of human nature, justice, and revenge. The story serves as a powerful commentary on the capacity for greed to erode community values and the price of justice in a world governed by materialism.

This novel tells the story of a schoolteacher and amateur entomologist who travels to a remote seaside village to collect insects. He is tricked into staying the night in a house at the bottom of a sand pit with a mysterious woman, who spends her days shoveling back the ever-encroaching sand. As the days pass, the man realizes he has been trapped and is forced to help the woman with her endless task, leading to a strange and consuming relationship filled with existential dread and fascination.

"To Damascus" is a semi-autobiographical play that follows the spiritual journey of the protagonist, known as the Stranger, who embarks on a quest for meaning and redemption. Struggling with guilt, doubt, and a sense of existential despair, he encounters various symbolic characters, including the Confessor and the Lady, who represent different aspects of his psyche and philosophical challenges. The play delves into themes of faith, suffering, and the search for truth, as the Stranger's pilgrimage reflects the author's own introspective exploration of personal crisis and spiritual awakening. Set against the backdrop of turn-of-the-century Europe, the work is a complex blend of psychological drama and religious allegory, illustrating the profound inner conflicts and transformative experiences of its central figure.

The work is a dramatic poem that follows the final days of Samson, a once-mighty biblical hero who has been captured and blinded by his enemies, the Philistines. In his state of physical and spiritual anguish, Samson grapples with his past actions, his relationship with God, and his desire for vengeance. As he is brought out to entertain the Philistines in their temple, he ultimately finds strength in his faith, leading to a catastrophic act of destruction where he pulls down the temple pillars, killing himself along with his captors, and fulfilling his destiny as a tragic hero.