This novel is a complex narrative that weaves together three distinct yet intertwined stories. The first story is set in 1930s Moscow and follows the devil and his entourage as they wreak havoc on the city's literary elite. The second story is a historical narrative about Pontius Pilate and his role in the crucifixion of Jesus Christ. The third story is a love story between the titular Master, a writer who has been driven to madness by the criticism of his work, and his devoted lover, Margarita. The novel is a satirical critique of Soviet society, particularly the literary establishment, and its treatment of artists. It also explores themes of love, sacrifice, and the nature of good and evil.

The book is a surreal and satirical narrative that takes the reader on a tragicomic journey aboard a suburban train from Moscow to the small town of Petushki. The protagonist, a disillusioned intellectual and alcoholic, engages in philosophical musings and encounters a variety of eccentric characters, each embodying different aspects of Soviet life. As he delves into ruminations on love, suffering, and the search for meaning amidst the absurdities of existence, the journey becomes a metaphor for the human condition and the societal decay of the USSR, blending dark humor with poignant introspection.

The novel is about a Russian émigré, Timofey Pnin, who is a professor at an American college. Pnin struggles with the complexities of life, language, and American culture, while dealing with the traumas of his past in Russia. The book is a series of loosely connected episodes, filled with humor, pathos, and Pnin's endearing confusion. His struggles and triumphs in academia and his search for a home and identity form the crux of the story.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

The book revolves around a linguist who finds himself inexplicably trapped in a nightmarish city where he cannot understand the language or communicate with the inhabitants. Despite his expertise in languages, the protagonist's skills are rendered useless in this alien environment, leading to a series of Kafkaesque encounters as he desperately tries to make sense of his surroundings and find a way back home. His isolation is compounded by the city's indifferent bureaucracy and the strange, often absurd, customs of its citizens, turning his ordeal into an existential struggle for identity and understanding in the face of an incomprehensible world.

"The Melancholy of Resistance" is a surreal and philosophical novel set in a small Hungarian town that becomes isolated by a massive snowstorm. The arrival of a mysterious circus, featuring a stuffed whale and a silent, enigmatic leader, brings with it a wave of change and unrest. The narrative explores themes of chaos, resistance, and the struggle for power through the perspectives of various townsfolk, including a reclusive music theorist and a former political dissident. The novel is known for its complex, long-winded sentences and its bleak yet profound examination of human nature and society.

"Tóték" is a satirical novella set during World War II in a Hungarian village occupied by Soviet troops. The story revolves around the Tót family, who are forced to accommodate a Russian artillery captain in their home. As the family goes to absurd lengths to please their unwanted guest, the novella humorously and critically explores themes of power, oppression, and the absurdity of war. The interactions between the Hungarian family and the Russian officer highlight the cultural misunderstandings and the tragicomic aspects of life under military occupation, offering a poignant reflection on the human condition during times of conflict.

The book is a tragicomic novel that follows the story of an unsuccessful writer and divorced father who takes a summer job as a tour guide at the rural estate of a famous Russian poet. As he immerses himself in the petty concerns and daily life of the museum staff and local villagers, the protagonist grapples with his own literary ambitions, the complexities of his personal life, and the cultural legacy of the poet whose memory he is charged with preserving. The narrative is infused with sharp wit and a deep sense of irony as it explores themes of artistic integrity, cultural heritage, and the absurdities of Soviet life.

"The Good Life Elsewhere" is a darkly humorous and satirical novel that follows a group of Moldovan villagers who embark on a chaotic journey to Italy in search of a better life. Through their misadventures, the author exposes the harsh realities of poverty, corruption, and the desperate measures people are willing to take in pursuit of a brighter future. With a blend of absurdity and poignant social commentary, the novel offers a compelling exploration of the human condition and the universal desire for a better life.

"Absurdistan" is a satirical novel by Gary Shteyngart that follows the story of Misha Vainberg, a wealthy and overweight Russian-American who finds himself stuck in the fictional country of Absurdistan after his father's death. The country is on the brink of a civil war, and Misha must navigate his way through the corrupt and absurd political landscape to get back to America and reunite with his love interest. Along the way, he encounters a cast of eccentric characters and experiences the absurdity of life in a country where everything seems to be falling apart.