A Generative Theory Of Tonal Music, Reissue, With A New Preface by Fred Lerdahl

This seminal work presents a comprehensive framework for understanding the structure and perception of tonal music through a generative grammar approach. It delves into the cognitive processes underlying music comprehension, offering a detailed analysis of how listeners intuitively grasp musical syntax. By integrating insights from linguistics and cognitive science, the book provides a formalized model that explains how tonal music is organized and perceived, making it a pivotal resource for music theorists, cognitive scientists, and anyone interested in the intersection of music and cognition.

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