When a prominent conceptual artist’s installation suddenly vanishes, twelve people connected to the project are pulled into a chain of events that reshapes their lives. The novel follows their intersecting paths across the contemporary art world and shadowy global networks, blurring illusion and reality as it builds toward a surreal, apocalyptic gathering.

The Magpie at Night presents Li Qingzhao’s ci poems in a new translation, offering a lyrical, intimate portrait of life in the Song dynasty and the inner work of a woman poet. The spare, musical lyrics evoke country scenes, loss and displacement amid war and exile, and her reflections on art, memory, and creative labor. It’s a concise, spoiler‑free introduction to her voice and themes.

隣り合う底辺男子校・千鳥高校と由緒あるお嬢様校・桔梗女子。強面で物静かな千鳥高校２年の紬凛太郎は、実家のケーキ屋で桔梗女子の生徒・和栗薫子と出会う。彼女との時間を心地よく感じる凛太郎だが、薫子は千鳥を嫌う側の生徒で――立場の違いが交錯する青春ラブストーリー。

お嬢様校の和栗薫子と、底辺男子校に通う紬凛太郎。薫子と過ごす時間に心地よさを感じた凛太郎は、自分の中に芽生えた恋心に気づき、ふと彼女に「好きです」と伝える決意をする。近くて遠い二人の、一途で淡い恋の行方を描く物語。

戦場での過去を背負う元少女兵が、自動手記人形として手紙の代筆を通じて人々の想いを紡ぎながら、自分にかけられた「愛している」の言葉の意味を探り、失われた感情を取り戻していく姿を描いた物語。依頼主それぞれの悲喜や葛藤に寄り添う中で、言葉が人の心を癒し変えていく様子と主人公の内面の成長が静かに綴られる。

SMA Chidori, yang bersebelahan dengan Akademi Kikyo yang berkelas, dikenal sebagai sekolah murid-murid nakal. Rintaro Tsumugi, siswa kelas dua bermuka sangar, bertemu Kaoruko Waguri, siswi Kikyo yang sering mengunjungi toko kue keluarganya; kedekatan mereka berkembang, tetapi Rintaro takut Kaoruko akan berubah pandang jika tahu asal sekolahnya.

お嬢様校の和栗薫子と、底辺男子校の紬凛太郎。薫子と過ごす中で自分の淡い恋心に気づいた凛太郎は、彼女の誕生日に手作りケーキを贈ろうと決意し、父に教えを乞いながら奮闘する。夏を背景にした、初々しい想いと成長を描く短編。

千鳥高校の紬凛太郎と桔梗女子の和栗薫子は、付き合い始めた夏休みを過ごしている。夏休み終盤に開かれる友人・夏沢朔の誕生日会のため、凛太郎は感謝の気持ちで初めてケーキ作りに挑戦する。友人や恋人との距離感や成長をやさしく描いた、心温まる短編。

This work presents a clear, practical exposition of the Bhagavad Gita’s teachings, translating complex philosophical ideas into accessible guidance for everyday life. It emphasizes selfless action (karma yoga), right conduct, mental discipline, and the distinction between the eternal Self and transient phenomena, showing how devotion, knowledge, and disciplined action together lead to inner peace and liberation. Through verse-by-verse commentary and practical examples it addresses moral dilemmas, duty, and the transformation of the mind, aiming to make ancient spiritual wisdom directly applicable rather than merely theoretical.

A bold retelling of a well-known epic that follows Sita from her miraculous origins and education in the court of Mithila to her rise as a fiercely intelligent warrior, stateswoman and moral philosopher; the narrative reframes familiar episodes—her marriage to a noble prince, life at court, exile and eventual abduction by a powerful adversary—as tests of agency, courage and leadership, exploring how she navigates politics, duty and personal conviction to become both a leader in her own right and the architect of a legend.

A legendary warrior continues his quest beyond the borders of the civilization that worshipped him, pursuing clues about a mysterious, ostracized people called the Nagas. His journey overturns simple myths of good and evil as political conspiracies, betrayals and hidden histories come to light, revealing the Nagas’ tragic origins and forcing him to form unexpected alliances while suffering personal loss — revelations that change his purpose and set the stage for a larger conflict over the future of the land.

In this epic finale, Shiva races to prevent a civilization-ending catastrophe while uncovering hidden histories and conspiracies that upend the myths and loyalties he once trusted; as ancient custodians and rival armies converge, he faces wrenching moral choices about duty, justice and sacrifice, and the truths he reveals ultimately reshape his world’s understanding of divinity, destiny and freedom.

Franz Kafka (3 July 1883 – 3 June 1924) was a German-language Jewish Czech writer and novelist born in Prague, in the Austro-Hungarian Empire. Widely regarded as a major figure of 20th-century literature, his works fuse elements of realism and the fantastique, and typically feature isolated protagonists facing bizarre or surreal predicaments and incomprehensible socio-bureaucratic powers. The term Kafkaesque has entered the lexicon to describe situations like those depicted in his writings. His best-known works include the novella The Metamorphosis (1915) and the novels The Trial (1924) and The Castle (1926). He is also celebrated for his brief fables and aphorisms, which frequently incorporated comedic elements alongside the darker themes of his longer works. His work has widely influenced artists, philosophers, composers, filmmakers, literary historians, religious scholars, and cultural theorists, and his writings have been seen as prophetic or premonitory of a totalitarian future. Kafka was born into a middle-class German- and Yiddish-speaking Czech Jewish family in Prague, the capital of the Kingdom of Bohemia, which belonged to the Austro-Hungarian Empire (later the capital of Czechoslovakia and the Czech Republic). He trained as a lawyer, and after completing his legal education was employed full-time in various legal and insurance jobs. His professional obligations led to internal conflict as he felt that his true vocation was writing. Only a minority of his works were published during his life; the story collections Contemplation (1912) and A Country Doctor (1919), and individual stories, such as his novella The Metamorphosis, were published in literary magazines, but they received little attention. He wrote hundreds of letters to family and close friends, including his father, with whom he had a strained and formal relationship. He became engaged to several women but never married. He died relatively unknown in 1924 of tuberculosis, aged 40. His literary executor and friend Max Brod ignored Kafka's wishes to destroy his remaining works, publishing them to eventual acclaim.

Freya Lockwood returns to her English hometown when her estranged mentor, antiques dealer Arthur Crockleford, dies under mysterious circumstances. She received a letter from Arthur asking her to investigate, sent days before his death, and she teams with her Aunt Carole to follow clues to an old manor hosting an antiques weekend. There the antiques are poor reproductions and guests seem secretive and menacing, and Freya and Carole try to discover what Arthur was involved in before the killer strikes again.

Maple Bay, Nova Scotia, is a seaside town steeped in pirate lore, family secrets, grudges, and a legendary lost treasure. Peter Barnett, nearing forty, answers a mysterious letter to his estranged family mansion; seventeen-year-old Dandy Feltzen follows a final request and a clue from her late grandfather; Cass Jones takes a housesitting job and finds material for a book and a helpful sailor. Their paths collide as bodies begin to pile up and buried truths come to light.

In 1965 a fortune-teller tells teenage Frances Adams she will be murdered. She spends a lifetime compiling dirt on everyone she meets to prevent that fate, but nearly sixty years later she is found dead at her sprawling country estate. Her great-niece Annie arrives and must sift through Frances's files and a village of possible suspects to catch the killer before she becomes the next target.

Four women are bound to notorious gangster Boysie Singh. Popo is brilliant and vulnerable, determined to escape past traps; Mana Lala is a devoted mother whose only tie to her man is their little boy. Doris hopes to reshape her husband into a path to climb the social ladder despite awful stories, while Rosie wants only to mind her business, her lover Etty, and her store. They recount the man they believed could love or free them and how some survived to tell the tale.

James wants to destroy his enemy, Peter Michaels. When Peter's daughter Wendy appears in his bar, he plans to seduce her for revenge. As his organization starts to crumble and a traitor emerges, his plan clouds and he begins to see Wendy as more than a pawn. Wendy, raised by a cold wealthy father, falls into an intense, addictive affair and must decide whether she loves James or the monster known as Hook.

A quiet, observant teenage boy begins to notice the disturbing intensity of his mother's affection as he navigates first crushes and the small freedoms of adolescence; what starts as smothering doting turns into controlling, isolating behavior that warps his social life and sense of self, slowly revealing a tense, claustrophobic power dynamic and the threat of something far darker beneath the surface—an intimate psychological horror about codependency, manipulation, and the dangerous blur between love and possession.

A haunting, spare portrait of rural Mexico in which a son returns to his mother’s hometown only to find it populated by voices and apparitions that unravel the violent legacy of a domineering landowner; alongside a set of terse short stories that chronicle life on the scorched plains—marked by poverty, brutality, solitude, and stubborn dignity—both works blur the line between the living and the dead, using memory, silence, and elliptical, lyrical prose to expose how history and loss shape a community.