The play is a poignant exploration of the Berger family's struggles during the Great Depression in the Bronx, New York. It centers around Bessie Berger, a matriarch determined to keep her family afloat amidst economic hardships, conflicting ideals, and the pursuit of the American Dream. Through the interwoven lives of her idealistic son Ralph, disillusioned husband Myron, and rebellious daughter Hennie, the narrative delves into themes of hope, disillusionment, and the quest for a better life. The characters grapple with their individual aspirations and the harsh realities of their circumstances, revealing the resilience of the human spirit in the face of adversity.

"Sexual Perversity in Chicago" is a play that explores the relationships and sexual dynamics of two young couples in 1970s Chicago. The narrative dissects the complex nature of sexual relationships, highlighting the characters' struggles with intimacy, communication, and emotional honesty. The play uses humor and sharp dialogue to delve into themes of gender roles, sexual politics, and the difficulty of establishing genuine connections in a culture saturated with false and damaging representations of love and sex.

The play is a dramatic exploration of power, class struggle, and human suffering set within the confines of an insane asylum in 1808 France. It depicts the Marquis de Sade as an inmate directing his fellow patients in a play about the assassination of Jean-Paul Marat, a radical journalist and politician during the French Revolution. The work delves into the philosophical and political debates between Sade and Marat, representing differing views on revolution, freedom, and the nature of humanity. As the inmates perform, the line between performance and reality blurs, creating a provocative and chaotic theater experience that challenges the audience's perception of madness and reason.

The play in question is a satirical commentary on the lives of Manhattan socialites and the pettiness of their ostensibly glamorous world. Through a cast composed entirely of women, it delves into themes of friendship, betrayal, and the cutthroat social standings of its characters. The narrative centers around the protagonist's discovery of her husband's infidelity and her subsequent journey through gossip, backstabbing, and the quest for personal growth and independence amidst the high society of the 1930s. The play is a sharp critique of the superficial relationships and the power dynamics among women within the upper crust of society.

The play delves into the gritty world of small-time criminals, focusing on three men plotting to steal a valuable buffalo nickel from a coin collector. Set in a junk shop, the narrative explores themes of loyalty, betrayal, and the elusive American Dream. As the characters scheme and the heist unfolds, the play reveals the desperation and moral ambiguity that drive their actions, ultimately questioning the price of their pursuit of wealth and success in a society that seems to have abandoned them.

The book is a scathing critique of the cutthroat world of real estate sales. It follows a group of desperate salesmen in Chicago who are willing to engage in a range of unethical and illegal acts—from lies and flattery to bribery and burglary—to sell undesirable real estate to unwitting buyers. The story is a snapshot of their lives over two days, highlighting the intense pressure they face from their company to close deals by any means necessary in order to survive in a merciless, competitive environment. The narrative delves into themes of capitalism, desperation, and the corrupting influence of a high-stakes sales culture, all while presenting a darkly comedic portrayal of the characters' struggles for success and self-preservation.

The play is set in a Pittsburgh boarding house in 1911 and tells the story of the inhabitants, who are part of the Great Migration of African Americans fleeing the oppressive South. The central character, Herald Loomis, arrives with his young daughter, searching for his wife who he hasn't seen since he was illegally enslaved for seven years. The residents of the boarding house are a microcosm of the African American experience of the time, each grappling with their past and seeking a foothold in a new world. The play explores themes of identity, migration, and the African American search for cultural and personal redemption.

In this dramatic play, an unconventional romance unfolds between a French diplomat and a mysterious Chinese opera singer. The diplomat becomes infatuated with the singer, who he believes to be a woman, only to have his perceptions of love, gender, and cultural identity challenged. As their affair deepens over two decades, the diplomat remains oblivious to the singer's true gender and the political espionage at play. The story, inspired by real events, ultimately explores themes of Orientalism, the fluidity of identity, and the devastating consequences of deception and self-delusion.

Set in Victorian London, the narrative revolves around a cunning antihero who leads a group of beggars and is involved in various criminal activities. He marries the daughter of the king of the beggars, only to be betrayed by his new wife and a former lover, which leads to his arrest. As he faces execution, a deus ex machina twist saves him at the last moment, allowing him to return to his life of crime. The work is a biting satire of capitalist society, showcasing the corruption and moral ambiguity that pervade all levels of society, from the lowly beggar to the esteemed official, all underscored by memorable music that adds a layer of irony to the darkly comedic plot.

This collection brings together three significant works by a renowned American playwright, each exploring the universal themes of life, death, and human connection in distinct settings. The first play is a metatheatrical commentary on the everyday lives of residents in a small town, revealing the profound in the mundane. The second play takes place in a purgatorial anteroom where deceased characters reflect on their past experiences and missed opportunities. The final play is a farcical satire set in ancient times, where characters confront issues of fate and free will. Together, these plays challenge audiences to consider the deeper meanings behind their existence and the shared experiences that define humanity.

The play centers around the complex emotional interplay between two central characters: a high-strung, unmarried minister's daughter and a charming, unsentimental doctor's son. Set in a small town in Mississippi at the turn of the 20th century, the narrative explores themes of romantic longing, societal expectations, and the conflict between the spiritual and the physical. As the daughter grapples with her puritanical beliefs and her attraction to the doctor's son, their tumultuous relationship unfolds against a backdrop of Southern heat and repression, ultimately questioning whether true connection can be found in the convergence of the soul and the flesh.

"Lazarus Laughed" is a play that explores the transformation of Lazarus after being raised from the dead by Jesus Christ. Rather than focusing on the miracle itself, the narrative delves into the profound psychological and spiritual change within Lazarus, who emerges from the tomb with an unshakable peace and a contagious laughter, signifying his transcendence over the fear of death. As he shares his newfound enlightenment with those around him, he faces both admiration and opposition, challenging the societal norms and religious dogmas of his time. The play is a philosophical meditation on the meaning of life and death, the power of joy, and the potential for human beings to live free from the paralyzing grip of fear.

The play is a tragic drama set in the 1950s in an Italian-American neighborhood near the Brooklyn Bridge in New York. It follows the life of Eddie Carbone, a longshoreman who lives with his wife Beatrice and his orphaned niece Catherine whom he has developed inappropriate feelings for. When Beatrice's cousins, illegal immigrants from Italy, arrive and one of them, Rodolpho, begins a romance with Catherine, Eddie's jealousy and obsession lead to betrayal and a tragic confrontation that culminates in violence and a devastating conclusion. The narrative explores themes of honor, family, and the struggle of the immigrant experience.

The play delves into the turbulent lives of American soldiers waiting to be deployed to Vietnam from their barracks in Virginia in the late 1960s. It explores the intense emotional conflicts that arise from issues of racism, homophobia, and fear of the unknown future. The narrative focuses on four young soldiers—Billy, Roger, Richie, and Carlyle—each grappling with their own personal demons and prejudices. As tensions rise, the claustrophobic atmosphere of the army base becomes a powder keg of emotions, leading to a violent and tragic conclusion that underscores the devastating impact of war on the human psyche.

The play unfolds in a small Kansas town on Labor Day weekend, where the arrival of a charismatic young drifter stirs emotions and ignites passions among the local residents. The central story revolves around a young woman who dreams of escaping her mundane life and the drifter whose presence challenges the community's prevailing attitudes and leads to a dramatic confrontation. As the town prepares for its annual picnic, the characters' lives intertwine, revealing their desires, disappointments, and the pursuit of happiness in mid-20th-century America.

The play revolves around two mismatched roommates: the fastidious, neurotic Felix Ungar and the slovenly, easygoing Oscar Madison. After Felix's marriage falls apart, he moves in with Oscar, who is also recently divorced. Their contrasting personalities and habits lead to comedic conflict and tension within their New York City apartment, as they struggle to coexist and support each other through their respective mid-life crises. The story explores themes of friendship, the challenges of living with others, and the humorous trials of post-divorce life.

Set in a 1927 Chicago recording studio, the play delves into the complexities of race, art, and the exploitation of Black musicians in the era of the blues. The narrative centers around the fiery and determined Ma Rainey, the "Mother of the Blues," and her band members as they gather to record new songs. Tensions rise between the ambitious trumpeter Levee, who is eager to put his own modern spin on the music, and Ma, who is resolute in her authoritative, traditional style. As the day wears on, the characters' personal grievances and the racial injustices of the time come to the fore, culminating in a climactic moment of violence that exposes the deep frustrations and struggles of being African American artists in a white-dominated industry.

"Seven Plays" is a collection of dramatic works by a renowned American playwright that delves into the complexities of American family life, personal identity, and societal norms. The plays are known for their intense character studies, dark humor, and exploration of the American West's mythos. Through a range of settings, from desolate farms to urban apartments, the anthology examines themes of decay, alienation, and redemption, often through the lens of dysfunctional family dynamics. The playwright's signature use of surreal imagery, unconventional narrative structures, and sharp dialogue has cemented these works as significant contributions to contemporary theater.

"The Dutchman" is a provocative play set on a New York City subway train, where a young African-American man, Clay, encounters Lula, a flirtatious and mysterious white woman. The play unfolds as a tense, psychological confrontation that escalates into a symbolic and violent exploration of racial dynamics and identity in 1960s America. Through their interaction, the narrative delves into themes of race, sexuality, and power, ultimately leading to a shocking and tragic climax that forces the audience to confront the social and political undercurrents of the era.

"Speed-the-Plow" is a satirical play that delves into the cutthroat world of Hollywood movie production, where art and commerce collide. It follows the story of two ambitious film executives who are faced with a potentially career-defining decision when a seductive temporary secretary presents them with an alternative to their blockbuster project, suggesting a film with a more noble message. The play examines themes of greed, temptation, and the moral compromises often made in the pursuit of success, as the characters navigate the treacherous waters of the entertainment industry, each driven by their own motives and desires.

The play explores the premise that everyone in the world is connected to everyone else by a chain of no more than six acquaintances. It centers around a young con artist who infiltrates the lives of a wealthy New York couple, claiming to be the son of a famous movie star and a classmate of their children at Harvard. By spinning a web of lies and charm, he exposes the superficial nature of their social world while also revealing the deep-seated racial and class anxieties that lie beneath the polished surface of their lives. The title refers to the idea that any two individuals are connected by a chain of, at most, six other people, which becomes a metaphor for the interconnectedness of human experience and the illusion of separation in society.

"Fool for Love" is a play that delves into the complex and turbulent relationship between two former lovers who find themselves holed up in a seedy motel room on the edge of the Mojave Desert. As they confront their intertwined past and the deep-seated secrets that have driven them apart, the play explores themes of obsession, identity, and the blurred lines between reality and illusion. The presence of an old man, who observes and comments on the action, adds a layer of mystery and symbolism, while the arrival of another character introduces an external perspective to the couple's intense emotional struggle. The play's raw dialogue and dramatic tension reflect the characters' desperate struggle for connection and their inability to escape the destructive patterns that bind them.

The play follows the life of Heidi Holland from high school in the 1960s to her career as an art historian more than twenty years later. Through personal and professional struggles and triumphs, Heidi navigates the complexities of women's roles in society, friendships, and romantic relationships while trying to find her own sense of self. Set against the backdrop of significant historical events and cultural shifts in America, the narrative explores themes of feminism, the changing status of women, and the quest for fulfillment, ultimately questioning whether true success and happiness are attainable for a modern woman.

"Intimate Apparel" is a poignant play set in New York City in 1905, which tells the story of Esther, an African American seamstress who creates exquisite lingerie for both wealthy uptown wives and downtown prostitutes. As she navigates the complexities of love, empowerment, and the constraints of the social order of her time, Esther dreams of opening her own beauty parlor where black women will be treated as royally as the white women she sews for. Through her interactions with a diverse cast of characters—including a Jewish fabric merchant, her landlady, and a Caribbean man—Esther's tale unfolds, revealing the deeply personal longing for connection and the impact of race and religion on the lives of the characters.

The play unfolds in a bed-and-breakfast in Gettysburg, Pennsylvania, where a young couple, Jenny and Elias, arrive to stay over the Thanksgiving weekend. Their relationship is tested by the eerie atmosphere of the B&B, the odd behavior of its peculiar proprietor, Mertis, and the presence of her enigmatic friend, Genevieve. As the weekend progresses, the couple's personal tensions and unresolved issues surface, with the intimate setting and the watchful eyes of the surrounding inanimate objects serving as a backdrop to the unraveling of secrets and the exploration of identity, perception, and the supernatural.