Mimi Pond’s Do Admit examines the lives of the six Mitford sisters—Nancy, Pamela, Diana, Unity, Jessica, and Deborah—who were raised in an aristocratic but financially strained English household and later married into influential and often polarizing social and political circles. Told through Pond’s satirical cartoons and narrative, the book traces their family dynamics, social ambitions, and the ways their personal choices intersected with 20th-century history, without revealing key plot details.

Kathy Burke traces her journey from a childhood in Islington to discovering the Anna Scher Theatre and forging a career as an actress and writer. The memoir offers candid, often funny reflections on her life and the social and cultural forces that shaped her.

Set across Chennai, Bombay, and an English college, the novel follows two quarrelsome elderly men confronting private losses amid wider national upheaval, a magical musician in an unhappy marriage to a multibillionaire, and an undead academic bent on settling old scores. Through linked, often fantastical episodes, it examines aging, memory, and the difficulty of saying goodbye to the places and people that shape a life.

New Orleans, 1866: siblings Coleman and June are legally free but still hunted by the past after June is taken to Mexico by their former master. Years later Coleman follows a summons south and, joined by an unlikely companion, crosses the Mexican desert in search of his sister while fleeing men who would return them to bondage. Their separate journeys test their resilience and force them to reckon with what freedom really means.

Arthur Zinn, a New Age spiritual writer, falls in love with a librarian and is forced to confront his beliefs when a sudden climate disaster puts her life at risk. A mysterious event following his desperate prayers upends his assumptions about God, desire, and the natural world. The novel examines ecology, mortality, art, faith, and the messy realities of intimate relationships.

Joan Liang emigrates from Taiwan to California, endures a sudden first marriage breakdown, and later marries again and raises children. Searching for lasting fulfillment, she opens the Satisfaction Café — a small place where strangers come to talk and be heard — and through that venture reshapes her life and creates a new kind of legacy.

During a six-week seaside holiday after her family’s move to Bath, Jane Austen savors sea bathing and the company of her sister Cassandra and friend Martha while new arrivals stir curiosity and unrest. As her brother Frank returns from naval service and figures like Captain Parker and the reserved lawyer Samuel Rose appear, Jane becomes drawn into questions about love, loyalty and her own feelings while also assisting Reverend Swete with his granddaughter’s arrival from the West Indies.

Eliot and Claire have been married for nearly forty years. After years of Claire’s cancer, as her life nears its end she makes an unexpected request that forces Eliot to reevaluate their marriage, his role as caregiver, and who they are apart and together. The novel follows his emotional reckoning with love, identity, and the difficult choices that surface at the end of life.

In a fading Italian village, newly installed Mayor Delizia Miccuci presides over shuttered businesses, disgraced townsfolk, and a bar where locals nurse old grievances. When truffle hunter Giovanni Scarpazza discovers an enormous, mysteriously potent truffle in the nearby woods, the발 find threatens to upend the community’s fortunes and relationships—forcing residents to reckon with hope, greed, and what it means to save a place they call home.

After a storm, Cora takes her daughter to register the birth of her son. Pressured by her controlling husband to name the child after him, Cora’s last-minute choice sets three different life paths over the next 35 years, each exploring how that single decision reshapes family relationships, the effects of domestic abuse, and the search for autonomy and healing.

Show Don't Tell is a short-story collection that examines marriage, friendship, fame, and artistic ambition through sharply observed, character-driven scenes. The pieces follow people at moments of change — reconnecting after divorce, testing boundaries in relationships, and revisiting a familiar character from Prep at an alumni reunion — offering intimate, quietly revealing portraits without giving away plot details.

A short memoir about a writer who, after her marriage ends, responds to a typo—“clam down”—by retreating into a shell and rethinking solitude, shame, and connection. Mixing personal history with reflections on art, literature, and natural history, she explores her family’s past, including a father who left to work on a mysterious project called Shell Computing, and uses the clam as a metaphor for the costs and comforts of withdrawing from the world. The book considers what we gain and lose by building protective walls and how we might begin to take them down.

Jed Rosenthal, a stalled writer and co-parent, becomes obsessed with the unsolved 1963 death of young Hollywood actress Karyn "Cookie" Kupcinet after discovering a sudden break in his family’s friendship with her parents. His investigation through archives, photos, and family stories—spanning seven decades—unravels family secrets and examines the ties and tensions that shape identity and loyalty, told with wry humor and human insight.

Sick and Dirty examines how queer life and creativity persisted in Hollywood from the 1930s to the 1960s despite the strict Motion Picture Production Code. Michael Koresky reinterprets films from that era — including Rope, Tea and Sympathy, and two adaptations of The Children's Hour — to reveal coded performances, behind-the-scenes strategies, and overlooked queer artists. The book shows how filmmakers, writers, and actors used subtext and irony to keep queer voices alive under censorship.

Lost in the Dark and Other Excursions is a collection of thirteen short stories of cosmic and uncanny horror. The tales move from cursed objects and strange pathogens to liminal sea-bound hauntings, isolated islands, and odd academic discoveries, mixing intimate domestic moments with otherworldly intrusions. Atmospheric and often quietly unsettling, the stories rely on mood and ambiguity rather than explicit explanation.

After a sudden diagnosis of a rare, aggressive cancer, Amanda Quaid’s ordinary life — marriage, work, and parenting — is upended. Written as a memoir-in-verse, No Obvious Distress uses candid, inventive poems to make sense of pain, desire, motherhood, and mortality, and to explore how creativity and love persist amid uncertainty.

A short collection of Anne Enright’s essays spanning three decades, blending personal memoir, cultural observation and literary criticism. Enright moves between places and family history to consider language, womanhood and the craft of fiction, offering clear, intimate reflections on writers and everyday life.

In 1971 Klaus Kinski gives a notorious one‑man performance about Jesus in Berlin that provokes a hostile crowd and nearly ends his stage career. Fifty years later, a reclusive, hypochondriac writer becomes obsessed with footage of that performance and, through a forensic rewatching, explores the fine line between artistic genius and self‑destruction. The novel interweaves performance, film and obsession to examine creativity, censorship, loneliness and the limits of public tolerance for troubling artists.

Good Anger by Sam Parker argues that anger, when understood and managed, can provide clarity, purpose and strength. Drawing on psychology, philosophy and emotional science, Parker explores how suppressing anger affects mental and physical health, relationships and creativity, and offers ways to listen to and transform anger into constructive action. The book is aimed at people-pleasers and conflict-avoiders, showing how engaging with difficult emotions can improve wellbeing and relationships.

Set in 1974, the novel follows Nicholas, a young English artist who becomes apprentice and lover to Danilo Donati, a celebrated Italian film designer. Drawn into the dreamlike world of Cinecittà and the politically tense Italy of the era, the book explores how art, illusion, desire, and power intersect as Nicholas's hidden secret sets events in motion.

A luminous, fragmentary collection of intimately observed pieces that inhabit a woman's mind as she negotiates desire, grief, domestic routine and the slipperiness of selfhood. With wry humor and intense attention to small details, the writing maps moments of yearning, conflict and quiet cruelty—family tensions, fleeting encounters and the ways memory reshapes ordinary life—rendered in a porous, lyrical prose that lingers on language and perception.

Linda leads a quiet life moderating comments and renting a small garage in the Bay Area, but each month she takes a round‑trip flight to indulge a deep, private obsession with airplanes. Convinced one of them is her soulmate, she guards the secret until an opportunity appears that could bring her dream within reach — forcing her to choose between maintaining a semblance of normalcy and pursuing the unconventional love she longs for.

null